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Description: Sweta is basically from Allahabad. Here in Mumbai she lives with her husband Raja Chaudhary and six year old daughter Palak. Sweta is quite different from her reel life to real life. In her real life, she is very talkative, childish but smart and over all she is people`s person. According to Raja, `Strong sense of Decision-making` is the only similarity between Sweta and Prerna. Sweta always wants to be recognizing as a very good dancer as Helen. Once in a dance competition she was offered to do a play named, \"Khoobsurat Bahu\". From then her acting career started to roll on with two more plays, as \"Kirayedaar\" and \"Sardari Begum\". Sohail Dattani has given her first chance in a television serial, named `Ristey`. Her first break with Balaji telefilm`s \"Karam\", where she has appeared in a negative character. By watching her potentiality, Ekta kapoor offered her the lead role in `Kasauti zindagi kay`. Sweta Tiwari and Raja Chaudhari in Nach Baliye-2In Nach Baliye-2 she proved that, excep
Newsflash
SITA HAS NEVER been a particularly interesting female icon, especially to a city-bred generation that grew up with the alternately coy and weepy Deepika Chhikalia who was Ramanand Sagar’s version. The Mahabharata and its women, the strong-minded Kunti, the feisty Draupadi, have always seemed far more arresting, more complicated. But the Mahabharata was not “the book kept at home” – that privilege was (and is) accorded, as Namita Gokhale points out, to the Ramayana. The Sita trope recurs throughout Indian popular culture, from the pregnant Leela Chitnis thrown out of the house by a suspicious Prithviraj Kapoor in Awara to the heroines of Ekta Kapoor serials today. The submissive, self-sacrificing Sita we owe to Tulsidas became the nationalised version. “But Sita has been multifarious all along,” says Malashri Lal. “We just haven’t paid attention.” So she and Gokhale set out to reexamine Sita’s place in the Ramayana – and in our lives.
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