kapoorekta.com

  • Increase font size
  • Default font size
  • Decrease font size
Home Ekta News
The News

Modern Womens on Occasion of Women's Day (March 8)

E-mail Print PDF
Your Ad Here

The modern woman in the present age occupies top rank and has attained immense success in all the fields such as sports, politics, performing arts, police, administration, medicine, etc. The rising number of successful women has a cascading effect, igniting a ray of hope in those who are still enslaved by a patriarchal system of society. Their success is a big motivation for millions of women who wish to break shackles and carve a niche of their own. On the occasion of Women's Day (March 8) we take a look at some of the influential women at the national and international levels.

Chanda Kochar: Chief Executive Officer (CEO) of ICICI Bank. Chanda was born in November 17, 1961 in Jodhpur, Rajasthan. She completed her Bachelor of Arts degree from Jai Hind College, Mumbai. Later, she joined the Jamnalal Bajaj Institute of Management Studies for a masters degree in management. Chanda began her career in 1984 with ICICI Bank. She has worked in the areas of corporate credit, infrastructure financing, e-commerce, strategy and retail finance. She has also been consistently featured in the Fortune's list of 'Most Powerful Women' in business.


Kiran Bedi: Ex-IPS officer. She is India's first and highest ranking (retired in 2007) woman officer who joined the Indian Police Service in 1972. Her experience and expertise include more than 35 years of tough, innovative and welfare policing. A tough police officer, she didn't even hesitate to penalise the prime minister's car for illegal parking during the 1982 Asiad Games. Legends of honesty and selfless duty are woven around Bedi's personality. As the Inspector General of Asia's biggest Tihar Jail, she transformed the jail and humanized it within six months and turned it into more of an ashram. For these efforts she was awarded Magsaysay Award in 1994.


Kiran Mazumdar Shaw: CMD of Biocon Ltd. Biocon Ltd is presently one of the biggest biopharmaceutical firms in India. Under Shaw's s t ew a rd s h i p Biocon transformed from an industrial enzymes company to an integrated bio-pharmaceutical company with strategic research initiatives. Today, Biocon is recognised as India's pioneering biotech enterprise. Kiran Mazumdar Shaw was awarded the Padma Bhushan, one of India's highest civilian honors. New York Times called her 'India's Mother of Invention.' The Economist called her India's Biotech Queen. After the first IPO of the company in 1994 was over-subscribed by 30 times, Shaw was regarded as India's richest woman with an estimated worth of Rs. 2,100 crore.


Naina Lal Kidwai: Group GM and Country Head of HSBC India. She is the first Indian woman to have graduated from Harvard Business School. She was ranked third by the Fortune in their list of the World's Top Women in Business in Asia in 2000 and 2001. She is the first woman to guide the functioning of a foreign bank in India. Naina was also counted among the top 50 women in international business in 2003 and is considered as one of the most successful women in the world of finance.


Pratibha Devi Singh Patil:
President of India. She took office as India's first woman president on July 25, 2007. Patil's political journey had
started during her college days. In 1962, Patil was voted "College Queen" of Mooljee Jaitha (MJ) College in Jalgaon. The same year, she got the Indian National Congress ticket to the assembly election from Jalgaon constituency and went on to win the election with a huge margin. She handled various ministerial berths after that. She was continually re-elected to the Maharashtra Assembly until 1985 when she was elected to the Rajya Sabha as a Congress candidate.


Swati Piramal: Swati A. Piramal is vice chairperson of Piramal Life Sciences Limited and director of Piramal Healthcare Limited. She is the only woman president of Assocham in its history of 88 years. Dr. Piramal is the only lady who has been elected as president of any apex chambers. Piramal's business acumen and excellence is evident from the fact that she was introduced as a member to the committee set up by Yashwant Sinha to transform India into a knowledge power.


Suzanna Arundhati R o y :
Writer and act iv i s t . Suzann a Arundh at i
Roy, a novelist and firebrand activist spent her childhood in Aymanam, in Kerala, being schooled in Corpus Christi. She came to Delhi at the age of 16 as a homeless entity, staying in a small hut with a tin roof within the walls of Delhi's Feroz Shah Kotla and making a living selling empty bottles. Soon after, she proceeded to study architecture at the Delhi School of Architecture. The God of Small Things is the only novel written by Arundhati Roy and it has catapulted her into fame the world over.


Indra K. Nooyi: Chairm a n a n d CFO of Pe p s i - Co, US. I n d r a K . N o oy i has scaled new heights for the $39 billion food and beverage giant though new products and acquisitions. Nooyi was born in Madras, India, in 1955. After earning her undergraduate degree in chemistry, physics, and math, she went on to enrol in the Indian Institute of Management in Calcutta and graduated with a business administration degree. She joined PepsiCo in 1994. For her impressive dealmaking talents, Nooyi was promoted to the job of chief financial officer at the company in 2000.


Kiran Desai: Novelist. A novelist who created ripples in the literary world through her writings, Kiran Desai first came to literary attention in 1997 when she was published in the New Yorker and in Mirrorwork, an anthology of 50 years of Indian writing edited by Salman Rushdie - Strange Happenings in the Guava Orchard - was the closing piece.In 1998,'Hullabaloo in the Guava Orchard', which had taken four years to write, was published to good reviews. Eight years later, The Inheritance of Loss was published in early 2006, and won the much coveted 2006 Booker Prize.

 

 

 

Happy Women's Day

E-mail Print PDF

you are so many things all in a day. you leave behind different roles for this one role you play. There is no one day that defines you. But it's great having you around. You make our lives special.

 

March 8 is International Women's Day: Modernity a far cry for women on small screen

E-mail Print PDF

By Radhika Bhirani
NEW DELHI:
Independent and bold women characters are no more taboo in films, but one wonders why television serials have failed to come of age as far as realistic portrayals of Indian women are concerned.

The makers of these serials say TV gives as good as it gets - women are usually appreciated by audiences as subservient, overtly loyal and moralistic or evil, conniving and home-breaking characters.

That's the reason why the holier-than-thou Tulsi Virani of "Kyunki Saas Bhi Kabhi Bahu Thi" and and Parvati Agarwal of "Kahaani Ghar Ghar Kii" ruled the roost for more than a decade.

They seem to have passed on the baton to the evil Ammaji of "Na Aana Iss Des Laado" and heartless Dadisa of "Balika Vadhu" that are popular today.

"Television cannot be about superwomen. It has to be about the average Indian women; otherwise it will lack identification," Ekta Kapoor, the creator of India's most wanted 'bahus' Tulsi and Parvati, told IANS.

"For me, 'power' for a normal average Indian woman living in a country like ours with so many social and family pressures is survival in itself. So if a woman survives, the different travails she has to go through, the legacy of belief that she has to accept and at times when she stands up and survives as an individual - for me that's woman power in itself...

"That's just how we show our characters standing up against oppressive mothers-in-law or characters in small town India standing up against the social mindset," she said.

Prior to saas-bahu sagas, TV spoke the lingo of the middle class in the cities, especially women.

Shows like "Hum Log" and "Buniyaad" were the pulse of the nation in the 1980s, but TV content took a quantum leap when Subhash Chandra launched Zee TV, the country's first privately-owned channel in 1992.

Women were shown smoking, drinking and wearing provocative clothes in shows like "Tara", "Banegi Apni Baat" and "Hasratein". These shows - that even touched upon subjects like extramarital affairs and live-in relationships - caught more eyeballs from the urban class than from the rural populace.

Cut to the 21st century, and Indian television became larger than life with Kapoor's mega shows "Kyunki Saas Bhi Kabhi Bahu Thi" and "Kahaani Ghar Ghar Kii". Despite their rich milieu, the soaps spoke of middle class values and the ethics of a traditional Indian woman.

With the launch of Viacom18's flagship Hindi entertainment channel Colors, shows with rural setups highlighting issues like female infanticide, child marriage and forced marriages found prominence on the small screen.

Today's hit soaps like "Balika Vadhu", "Na Aana Iss Des Laado", "Bairi Piya" represent women residing in small towns and villages.

"TV content deeply depends on who the audience is and where the audience is. You cannot expect a movie like 'Karthik Calling Karthik' to do well in Jhumri Talaiya, can you? Similar is the case with TV," Shailja Kejriwal, executive vice president (content), NDTV Imagine, told IANS.

"Today the maximum viewers are either from small towns or from villages. TV penetration in rural areas has deepened and its accessibility on price point increased. So we have to create localised content according to their interests," added Kejriwal.

Purnendu Shekhar, the writer of shows like "Balika Vadhu" and "Saat Phere", agrees.

"Recent research regarding TV content has revealed that women in places like Kanpur, Jaipur and other such small cities don't mind watching a career- oriented woman on screen as long as she doesn't do anything morally wrong," he said.

STAR Plus is trying to change the definition of the "good Indian bahu" with its new show "Sasural Genda Phool" where the daughter-in-law, played by Ragini Khanna, will be shown adjusting her lifestyle to suit her in-laws' simple and modest living.

But she won't wear heavy Kanjeevarams or dab cakes of make-up. She will try to be the face of the "modern bahu" - in terms of dressing and thought but still adhere to Indian ethics.

"We are trying to redefine the 'Indian bahu' on TV with this show. But when it's about a commitment to the family and how fiercely protective this bahu should be towards the family - that is something we wouldn't want to change. Those values must always resonate and be constant and yet getting refreshed and replenished by the experiences of today," Gaurav Banerjee, head (Content Strategy), STAR Plus, told IANS.

Will it trigger a chain reaction for more modern bahus to step into the TV industry? Many would hope so. IANS

 

Last Updated on Monday, 08 March 2010 06:54
 

Love, Sex Aur Dhoka will be a hit

E-mail Print PDF

Dibakar Banerjee’s Lucky Oye! may not have done well at the box office, probably because the film came out the week of the Mumbai attacks.It was critically acclaimed, however. Says Dibakar, “That was the time when we all stood united against terror, so I don’t care about whether my film worked or not. But I felt bad for the producer’s losses. I always make small-budget films and my producers don’t normally lose money. If they make a profit, then good for us.” Dibakar is now onto his next movie, Love,Sex Aur Dhoka. So, how did the director think up such a bold title? “When you make a film like this, you better have an attitude of Jo hoga, dekha jayega. If you dared to make this film, you should face the upcoming obstacles too,” feels Dibakar.He said his film was the sort where “you get to see some sex, some violence, but along with that, you also get entertained with comedy that will make you fall from your chair.” Asked if he thought the Censor would have a problem with that, he said: “ I am sure you must be knowing many people who attempt sex... everyone does it, yaar, it’s a part of life, so why should the Censor have a problem? I don’t understand.” Dibakar’s Khosla Ka Ghosla had just one gaali, over which the censor put a bleep. “They didn’t cut it because it’s a common word in North India. So, the Censor Board has been quite intelligent in that respect,” says Dibakar.Asked about the plot of his film, he said, “The film is about how people misuse sex to earn money. The inspiration to make LSD came from the growing MMS scandals in India. Also, if you remember, a few politicians have been caught with their pants down. Such issues inspired me to make the film. When I told the story to Ekta Kapoor, she just wanted to make the film at any cost.” He adds, “I think such scandals are being read just as a headline today, something we forget in a week`s time. Have we ever wondered that there could actually be stories behind each of the headlines? This is what I am trying to convey through Love Sex Aur Dhokha where a hidden camera plays a character by itself.” Meanwhile the title track of the movie has been creating waves all around. The video which is eccentrically choreographed is grabbing eye balls for its unconventional tune and ‘shocking’ lyrics.Well, it sure seems like we are in for something we have not experienced before.The film releases on March 12.

 

Song of the week - geeeta zaildar and miss pooja

E-mail Print PDF

These are the artist of the punjab and hits all the world very hit song so we make this song of the week give your comments if you like this song and if you have any song which you want to make song of the week from aspiring singers like geeeta zaildar and miss pooja.


 

 

Last Updated on Saturday, 06 February 2010 04:07
 
  • «
  •  Start 
  •  Prev 
  •  1 
  •  2 
  •  3 
  •  4 
  •  Next 
  •  End 
  • »


Page 1 of 4

Key Concepts

Celebrities Photo

Sanaya Irani_5
Description: She played a small role in the movie \'Fanaa\". She appeared in a number of TV commercials is also in the TV Serial \"Left Right Left\" and now in Star One\'s new show Miley Jab Hum Tum
Esha Gupta
Description: hello this is my image Esha Gupta
Prachi Desai Ekta Kapoor Serial Girl_5
Description: Prachi Desai Ekta Kapoor Serial Girl now doing well in bollywood
Prachi Desai Ekta Kapoor Serial Girl_6
Description: Prachi Desai Ekta Kapoor Serial Girl now doing well in bollywood

Newsflash

The Charisma of TV, Ekta Kapoor, is known to act on impulses and whims. She's been known to give away lakhs worth of gifts to people she likes, just on a sudden fancy.

Recently, she gifted Ajay Devgan, the male lead of her production, Once Upon A Time In Mumbai, a vintage 1967 car. Ajay loves cars from fast, sleek modern ones to vintage ones. He has a good collection of various cars.

Says a source from the sets of Once Upon A Time In Mumbai, "Ajay started shooting for the film a week ago. He plays a character which has been inspired by Haji Mastan and one of the scenes required him to use a vintage 1967  model of a luxury car. The car is owned by the producer, Balaji Motion Pictures Limited, who had purchased it from Shahnawaz of the Ali brothers. Ajay fell in love with the car.

"He was seen asking about the details and expressed his desire to buy the car to the production team. Ajay also asked them to check about the price of the car. When Ekta heard about this she decided to gift the car to him. But it's meant as a surprise gift to Ajay who has no clue about it. "

Ekta confirms, "Ajay liked the vintage car so much that he wanted to buy it after the shoot got over but I have decided to gift it to him. Though I love gifting people stuff this is not just a passing whim. It's great to have an actor like him be part of our film."

The film is being directed by Milan Luthria.