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Home Ekta News Once Upon a Time in Mumbaai (2010) Box Office Report

Once Upon a Time in Mumbaai (2010) Box Office Report

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The slick appeal of the Ajay Devgn- and Emraan Hashmi-starrer retro era criminal world saga ‘Once Upon a Time in Mumbaai’ managed to carry back the queues and the ‘House Full’ board at the ticket counters this weekend.

”Once Upon…’ has been rocking on the screens in terms of numbers. It has had the major opening overseas ever, especially in Dubai, for any Ajay Devgn- or Emraan Hashmi-starrer,’ Sunny Khanna, senior vice president, Balaji Motion Pictures, told IANS over phone from Mumbai.

‘It has even had the major opening in terms of a Diwali release, like last year’s ‘All The Best’ that had Ajay and Sanjay Dutt,’ he added.

Trade sources claim the movie has grossed over Rs.30 crore (Rs.300 million) in the domestic market in its initial run and is expected to touch the Rs.75 crore gross mark in its overall run worldwide. In the Middle-East, ‘Once Upon…’ grossed around AED 1 million (close to Rs.13 million) in Dubai in four days (as movies release on Thursdays there).

Multiplexes too are going gaga over the movie’s trade.

The movie is a super duper hit. We have had an average occupancy of 92 percent for the initial weekend with 15 shows that went housefull on Sunday. The film has been appreciated by one and all and we are expecting a good quality run over the week, and a definite second week run,’ Amit Awasthi, senior manager (programming and operations) of Spice Cinemas, told IANS.

Added Yogesh Raizada, corporate head (cinemas) of Wave Cinemas: ‘It was a rocking weekendwith 80-90 percent occupancy. The content, star cast, story and acting – all has been appreciated. Every actor fits into his or her character. It will sustain this week and it will have a second week run too definitely.’

Co-produced by Balaji Telefilms and Popcorn Entertainment for close to Rs.32 crore (Rs.320 million), including marketing and distribution costs, the starcast of the Milan Luthria directed action drama also includes Kangana Ranaut, Prachi Desai and Randeep Hooda.

Set primarily in 1970s Mumbai, ‘Once Upon…’ traces the changing face of the Mumbai underworld seen through the eyes of a police officer (Randeep).

The crime thriller follows the rise of Sultan (Ajay) and his eventual debacle when his protege Shoaib (Emraan) challenges his supremacy and usurps power to rule the murky underbelly of thecity.

‘The opening for the movie has been really well and it has had a decent occupancy of 60-65 percent. The content has been appreciated and it looks like a promising week. It should definitely have a second week run too,’ said Deepak Taluja, senior vice president (business and operations) of Fun Cinemas.

Added Amit Shah, chief manager (programming) of DLF DT cinemas: ‘The weekend was good with ‘Once Upon…’ It is a must-watch film. Friday and Saturday were good and steady but it picked up very well Sunday onwards, courtesy reviews and word of mouth. We have had an overall average occupancy of 60-65 percent over the weekend.’


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SITA HAS NEVER been a particularly interesting female icon, especially to a city-bred generation that grew up with the alternately coy and weepy Deepika Chhikalia who was Ramanand Sagar’s version. The Mahabharata and its women, the strong-minded Kunti, the feisty Draupadi, have always seemed far more arresting, more complicated. But the Mahabharata was not “the book kept at home” – that privilege was (and is) accorded, as Namita Gokhale points out, to the Ramayana. The Sita trope recurs throughout Indian popular culture, from the pregnant Leela Chitnis thrown out of the house by a suspicious Prithviraj Kapoor in Awara to the heroines of Ekta Kapoor serials today. The submissive, self-sacrificing Sita we owe to Tulsidas became the nationalised version. “But Sita has been multifarious all along,” says Malashri Lal. “We just haven’t paid attention.” So she and Gokhale set out to reexamine Sita’s place in the Ramayana – and in our lives.

In Search of Sita forces the damsel-in-distress to jostle for space with the child strong enough to lift up the Bow of Shiva with one hand even as she swabbed a floor with the other. It places the model wife against (or alongside) the independent single mother. There’s an earthy Sita and an ethereal one; the lovelorn girl and the articulate spouse. Like the Bhojpuri women who sing their lives through her, we can all now have a Sita of our choosing.


IN SEARCH OF SITA: REVISITING MYTHOLOGY
Ed. Namita Gokhale and Malashri Lal
Penguin / Yatra

270 pp; Rs 399